Open access has hit contemporary art preservation and conservation as well. Ever more publications are appearing with free access for all researchers worldwide.<\/p>\n
We have compiled a list of English-language monographs, conference proceedings, and journal issues from our field. Currently the list contains fifteen titles, and will be expanded periodically.<\/p>\n
Barranha, Helena, and Susana S. Martins (eds.), Uncertain Spaces: Virtual Configurations in Contemporary Art and Museums<\/i>, Lisbon: Universidade Nova de Lisboa, 2015, 251 pp. Based on the conference produced in the framework of the Unplace project. Beerkens, Lydia, and Tom Learner (eds.), Conserving Outdoor Painted Sculpture<\/i>, Los Angeles: Getty Conservation Institute, 2014, 145 pp. Proceedings from the interim meeting of the Modern Materials and Contemporary Art Working Group of ICOM-CC, Kr\u00f6ller-M\u00fcller Museum, Otterlo, 4-5 June 2013. Dekker, Annet (ed.), Archive2020: Sustainable Archiving of Born-Digital Cultural Content<\/i>, Amsterdam: Virtueel Platform, 2010. Dekker, Annet ed., Speculative Scenarios, or What Will Happen to Digital Art in the (Near) Future?<\/i>, Eindhoven: Baltan Laboratories, 2013, 144 pp. Depocas, Alain, Jon Ippolito, Caitlin Jones (eds.), Permanence Through Change: The Variable Media Approach<\/i>, New York: Solomon R. Guggenheim Museum, with Montreal: Daniel Langlois Foundation, 2003, 137 pp. Outcome of the research project Variable Media Network (2001-04). Interventions<\/i> 4(1): “Object Lesson: Conservation and Contemporary Art”, eds. Anna Linehan and B\u00e9atrice Grenier, New York: Columbia University, Jan 2015. Lave\u0301drine, Bertrand, Alban Fournier, and Martin Graham (eds.), Preservation of Plastic Artefacts in Museum Collections<\/i>, Paris: CTHS, 2012, 325 pp. Outcome of POPART project. Media-N<\/i> 11(1): “The Aesthetics of Erasure”, eds. Paul Benzon and Sarah Sweeney, New Media Caucus, 2015. Noordegraaf, Julia, et al. (eds.), Preserving and Exhibiting Media Art: Challenges and Perspectives<\/i>, Amsterdam University Press, 2013, 428 pp. Outcome of the research project (2007-10). Revista de historia da arte<\/i>, 4: “Performing Documentation in the Conservation of Contemporary Art”, eds. L\u00facia Almeida Matos, Rita Macedo, and Gunnar Heydenreich, Lisbon: Instituto de Hist\u00f3ria da Arte, 2015, 196 pp. Proceedings of the 2013 conference. Reyes-Garcia, Everardo, Pierre Ch\u00e2tel-Innocenti, and Khaldoun Zreik (eds.), Archiving and Questioning Immateriality: Proceedings of the 5th Computer Art Congress<\/i>, Paris: Europia, 2016, 466 pp. Rivenc, Rachel, and Reinhard Bek (eds.), Keep It Moving? Conserving Kinetic Art<\/i>, Los Angeles: Getty Conservation Institute, 2018. Proceedings from an ICOM-CC MMCA meeting organized in Milan, 2016. RTRSRCH<\/i> 2(2): “ Scholte, Tatja, and Glenn Wharton (eds.), Inside Installations: Theory and Practice in the Care of Complex Artworks<\/i>, Amsterdam: University of Amsterdam Press, 2011, 266 pp. Outcome of the Inside Installation project. van Saaze, Vivian, Installation Art and the Museum: Presentation and Conservation of Changing Artworks<\/i>, Amsterdam: University of Amsterdam Press, 2013, 226 pp. Based on author’s dissertation. VoCA Journal<\/i>, ed. Robin Clark, New York: Voices in Contemporary Art, since 2015. Published three times a year. Wijers, Gaby, Evert Rodrigo, and Ramon Coelho (eds.), The Sustainability of Video Art: Preservation of Dutch Video Art Collections<\/i>, Amsterdam: Foundation for the Conservation of Modern Art, 2003, 167 pp. Outcome of the research project Preservation Video Art (2000-03). Do you have any further recommendations? Please leave them in the comments!<\/p>\n","protected":false},"excerpt":{"rendered":" Open access has hit contemporary art preservation and conservation as well. Ever more publications are appearing with free access for all researchers worldwide. We have compiled a list of English-language monographs, conference proceedings, and journal issues from our field. Currently the list contains fifteen titles, and will be expanded periodically. Barranha, Helena, and Susana S. … Continue reading “Academic publications on contemporary art conservation in open access”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[5],"tags":[11,12,9],"_links":{"self":[{"href":"https:\/\/nacca.eu\/wp-json\/wp\/v2\/posts\/141"}],"collection":[{"href":"https:\/\/nacca.eu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nacca.eu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nacca.eu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nacca.eu\/wp-json\/wp\/v2\/comments?post=141"}],"version-history":[{"count":9,"href":"https:\/\/nacca.eu\/wp-json\/wp\/v2\/posts\/141\/revisions"}],"predecessor-version":[{"id":451,"href":"https:\/\/nacca.eu\/wp-json\/wp\/v2\/posts\/141\/revisions\/451"}],"wp:attachment":[{"href":"https:\/\/nacca.eu\/wp-json\/wp\/v2\/media?parent=141"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nacca.eu\/wp-json\/wp\/v2\/categories?post=141"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nacca.eu\/wp-json\/wp\/v2\/tags?post=141"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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