{"id":17,"date":"2016-03-31T17:45:29","date_gmt":"2016-03-31T15:45:29","guid":{"rendered":"http:\/\/nacca.eu\/?page_id=17"},"modified":"2020-09-11T10:34:43","modified_gmt":"2020-09-11T08:34:43","slug":"research-projects","status":"publish","type":"page","link":"https:\/\/nacca.eu\/research-projects\/","title":{"rendered":"Research Projects"},"content":{"rendered":"

Cluster I: Identity, Authenticity and Values<\/b><\/p>\n

<\/a>1 Mapping Critical Mass: Authenticity in Remanifestations of Contemporary Artworks<\/a>
\nResearcher: Brian Castriota
\nAffiliation: University of Glasgow<\/p>\n

<\/a>2 Values and Valuation of Modern and Contemporary Visual Art: The Role of Reflective Practice<\/a>
\nResearcher: Joanna Kiliszek
\nAffiliation: Academy of Fine Arts, Warsaw<\/p>\n

<\/a>3 The Artist Intent in Contemporary Art: Matter and Process in Transition<\/a>
\nResearcher: Nina Quabeck
\nAffiliation: University of Glasgow<\/p>\n

<\/a>4 The Role of Conservation Sciences in the Authentication of Modern and Contemporary Art Works<\/a>
\nResearcher: Tomas Markevicius
\nAffiliation: Cologne University of Applied Sciences<\/p>\n

Cluster II: Materials, Media and Technologies<\/b><\/p>\n

<\/a>5 Authenticity and Reproducibility: Conservation Strategies for Contemporary Photography<\/a>
\nResearcher: Marta Garcia Celma
\nAffiliation: Cologne University of Applied Sciences<\/p>\n

<\/a>6 Conservation Strategies for Computer-Based Artworks<\/a>
\nResearcher: Claudia R\u00f6ck
\nAffiliation: University of Amsterdam<\/p>\n

<\/a>7 Conservation of Contemporary Art and Ethnographic Materials: Relationships, Similarities and Differences<\/a>
\nResearcher: Caitlin Spangler-Bickell
\nAffiliation: Maastricht University & MUDEC Milan<\/p>\n

Cluster III: Presentation, Documentation and Reception<\/b><\/p>\n

<\/a>8 The Exhibition as a Conservation Tool: Examining Changes in Presentation Discourses and Practices<\/a>
\nResearcher: Panda de Haan
\nAffiliation: University of Porto<\/p>\n

<\/a>9 Artist Interviews and Artist Participation as Research Tools in Conservation Practices<\/a>
\nResearcher: Aga Wielocha
\nAffiliation: University of Amsterdam<\/p>\n

<\/a>10 Audience Participation in Performance-based Art<\/a>
\nResearcher: Iona Goldie-Scot
\nAffiliation: Maastricht University<\/p>\n

<\/a>11 Database for the Documentation of Contemporary Art<\/a>
\nResearcher: Du\u0161an Barok
\nAffiliation: University of Amsterdam<\/p>\n

Cluster IV: Professions and Institutions<\/b><\/p>\n

<\/a>12 Contemporary Art Conservators and Curators: Roles, Collaboration, Training and Ethics<\/a>
\nResearcher: Maria Theodoraki
\nAffiliation: Universidade Nova de Lisboa<\/p>\n

<\/a>13 On the Artists\u2019 Side: Bridging the Gap Between Creation and Conservation<\/a>
\nResearcher: Sophie Lei
\nAffiliation: Roma III University & Maastricht University<\/p>\n

<\/a>14 Ownership, Information, Control, and Access: A Study in Practice and Ethics<\/a>
\nResearcher: Zo\u00eb Miller
\nAffiliation: Tate London & Maastricht University<\/p>\n

<\/a>15 Private Collections as Care-takers<\/a>
\nResearcher: Artemis R\u00fcstau
\nAffiliation: Maastricht University<\/p>\n","protected":false},"excerpt":{"rendered":"

Cluster I: Identity, Authenticity and Values 1 Mapping Critical Mass: Authenticity in Remanifestations of Contemporary Artworks Researcher: Brian Castriota Affiliation: University of Glasgow 2 Values and Valuation of Modern and Contemporary Visual Art: The Role of Reflective Practice Researcher: Joanna Kiliszek Affiliation: Academy of Fine Arts, Warsaw 3 The Artist Intent in Contemporary Art: Matter … Continue reading “Research Projects”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/nacca.eu\/wp-json\/wp\/v2\/pages\/17"}],"collection":[{"href":"https:\/\/nacca.eu\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/nacca.eu\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/nacca.eu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nacca.eu\/wp-json\/wp\/v2\/comments?post=17"}],"version-history":[{"count":33,"href":"https:\/\/nacca.eu\/wp-json\/wp\/v2\/pages\/17\/revisions"}],"predecessor-version":[{"id":543,"href":"https:\/\/nacca.eu\/wp-json\/wp\/v2\/pages\/17\/revisions\/543"}],"wp:attachment":[{"href":"https:\/\/nacca.eu\/wp-json\/wp\/v2\/media?parent=17"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}