\nProgramme<\/a>
\nLocation<\/a>
\nRegistration<\/a>
\nCredits<\/a><\/p>\n
<\/a>Advances in the conservation of contemporary art require discussions on fundamental questions concerning the identity, values and authenticity of modern and contemporary artworks; historically grown distinctions between specialisms; and transitions and transformations within the museum. The two-day conference on 25-26 June, 2018, organized by TH-K\u00f6ln and the Marie Sk\u0142odowska-Curie Innovative Training Network \u2018New Approaches in the Conservation of Contemporary Art\u2019 (NACCA) at the Cologne Institute of Conservation Sciences (CICS) in Cologne (Germany) will provide a cross-disciplinary forum for conservation professionals, art historians, conservation scientists, and students to address those issues. Presentations by the ITN Research Fellows in collaboration with guest keynote speakers will introduce preliminary results of their interdisciplinary and intersectoral research and training collaboration for the conservation of contemporary art. Through the discursive lens, speakers and participants will explore a broad range of urgent questions related to intent, authorship, and authentication of contemporary artworks, the various challenges contemporary artworks can present when facing institutional conventions, the ontology of transforming contemporary artworks, the types and impacts of reproduction of contemporary artworks and the relevance of cross-disciplinary networks on the conservation of contemporary art.<\/p>\n <\/a>Programme<\/b><\/p>\n Download programme in PDF<\/a> (published on 11 April 2018, updated on 14 June)<\/p>\n Monday, 25 June<\/u><\/p>\n 09:00 \u2013 10:00 10:00 \u2013 10:10 Session I. Intent, authorship, authentication<\/b> 10:10 \u2013 10:25 10:25 \u2013 10:40 10:40 \u2013 11:00 11:00 \u2013 11:20 11:20 \u2013 11:40 11:40 \u2013 12:20 12:20 \u2013 13:45 Session II. Production and reproduction<\/b> 13:45 \u2013 14:00 14:00 \u2013 14:15 14:15 \u2013 14:35 14:35 \u2013 14:55 14:55 \u2013 15:15 15:15 \u2013 15:55 15:55 \u2013 16:25 Session III. Challenging institutional conventions<\/b> 16:25 \u2013 16:40 16:40 \u2013 16:55 16:55 \u2013 17:15 17:15 \u2013 17:35 17:35 \u2013 17:55 17:55 \u2013 18:35 19:00 Tuesday, 26 June<\/u><\/p>\n Session IV. Musealisation<\/b> 10:00 \u2013 10:15 10:15 \u2013 10:30 10:30 \u2013 10:50 10:50 \u2013 11:10 11:10 \u2013 11:30 11:30 \u2013 12:10 12:10 \u2013 14:00 Session V. Cross-disciplinary networks<\/b> 14:00 \u2013 14:15 14:15 \u2013 14:35 14:35 \u2013 14:55 14:55 \u2013 15:15 15:15 \u2013 15:55 15:55 \u2013 16:05 16:05 \u2013 16:15 Download programme in PDF<\/a><\/p>\n <\/a>Location<\/b> <\/a>Registration<\/b> <\/a>Credits<\/b> Symposium website on TH K\u00f6ln<\/a><\/p>\n NACCA Symposium 2018: From different perspectives to common grounds in contemporary art conservation 25 \u2013 26 June 2018 Cologne University of Applied Sciences, Germany Introduction Programme Location Registration Credits Advances in the conservation of contemporary art require discussions on fundamental questions concerning the identity, values and authenticity of modern and contemporary artworks; historically grown distinctions … Continue reading “Symposium 2018”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/nacca.eu\/wp-json\/wp\/v2\/pages\/379"}],"collection":[{"href":"https:\/\/nacca.eu\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/nacca.eu\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/nacca.eu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nacca.eu\/wp-json\/wp\/v2\/comments?post=379"}],"version-history":[{"count":18,"href":"https:\/\/nacca.eu\/wp-json\/wp\/v2\/pages\/379\/revisions"}],"predecessor-version":[{"id":425,"href":"https:\/\/nacca.eu\/wp-json\/wp\/v2\/pages\/379\/revisions\/425"}],"wp:attachment":[{"href":"https:\/\/nacca.eu\/wp-json\/wp\/v2\/media?parent=379"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nRegistration<\/p>\n
\nWelcome
\nKlaus Becker, Cologne
\nGunnar Heydenreich, Cologne<\/p>\n
\nModerator: Erma Hermens, Amsterdam<\/p>\n
\nKeynote
\nThe Artist\u2019s Intent and the Artist Estate\u2019s Intent. In between Authorship and Authentication
\nMarina Pugliese, San Francisco<\/p>\n
\nKeynote
\nAuthenticity and Ephemeral Art. The Point of View of the Conservator
\nAntonio Rava, Turin<\/p>\n
\nArtist’s Intent Revisited: From Closed Declaration to Open-Ended Process
\nNina Quabeck, Glasgow<\/p>\n
\nContemporary Art in the Museum: Professional Roles of Care and the Management of the Artist\u2019s Sanction
\nMaria Theodoraki, Lisbon<\/p>\n
\nKill-or-cure challenge: identifying authentic condition in weathered paintings by Edvard Munch
\nTomas Markevicius, Cologne<\/p>\n
\nDiscussion<\/p>\n
\nLunch<\/p>\n
\nModerator: Glenn E. Wharton, New York<\/p>\n
\nKeynote
\nProduction \u2013 Reproduction and Reconstruction. Some Thoughts on the Reconstruction of built Heritage and its Influence on the Reconstruction of Site-specific Modern Art
\nUrsula Sch\u00e4dler-Saub, Hildesheim<\/p>\n
\nKeynote
\nConservators and Artists \u2013 an strained liaison
\nUlrich Lang, Frankfurt<\/p>\n
\nOn the Artists\u2019 Side: The Reinstallation Process
\nSophie Lei, Rome<\/p>\n
\nRecreating photographic visualizations: reproductions and authenticities
\nMarta Garcia Celma, Cologne<\/p>\n
\nConservation by exposure: Revising H\u00e9lio Oiticica\u2019s Tropic\u00e1lia<\/i> whilst on display
\nPanda de Haan, Porto<\/p>\n
\nDiscussion<\/p>\n
\nCoffee<\/p>\n
\nModerator: Pip Laurenson, London<\/p>\n
\nKeynote
\nThe missing link in time-based art preservation
\nRenate Buschmann, D\u00fcsseldorf<\/p>\n
\nKeynote
\nTime based arts: between micro- and macro time
\nJohannes Gfeller, Stuttgart<\/p>\n
\nFrom Private to Public: Objects in Transition
\nArtemis R\u00fcstau, Maastricht<\/p>\n
\nConservation Strategies for Software-based Artworks
\nClaudia R\u00f6ck, Amsterdam<\/p>\n
\nDistributed Knowledge and Expanded Networks in the Conservation of Performance-based Art
\nIona Goldie-Scot, Maastricht<\/p>\n
\nDiscussion<\/p>\n
\nReception<\/p>\n
\nModerator: Ren\u00e9e van de Vall, Maastricht<\/p>\n
\nKeynote
\nBerkeley and Malraux walk into a bar (and meet a conservator)
\nSalvador Mu\u00f1oz Vi\u00f1as, Valencia<\/p>\n
\nKeynote
\nKeeping Time: On Museums, Temporality, and Heterotopia
\nHanna H\u00f6lling, London<\/p>\n
\nCentres in Flux: Authenticity in the Persistence and Recurrence of Contemporary Artworks
\nBrian Castriota, Glasgow<\/p>\n
\nArtworks in Museum Collection: From Object to Process
\nJoanna Kiliszek, Warsaw<\/p>\n
\nBetween Collections and Archives: the Nature of Contemporary Artworks in the Museum Realm
\nAga Wielocha, Amsterdam<\/p>\n
\nDiscussion<\/p>\n
\nLunch<\/p>\n
\nModerator: Julia Noordegraaf, Amsterdam<\/p>\n
\nKeynote
\nJumping through cross-disciplinary hoops: hell or heaven?
\nRenata Peters, London<\/p>\n
\nExpanding networks for expanding artworks: writing biographies of ‘dividual’ art
\nCaitlin Spangler-Bickell, Maastricht<\/p>\n
\nFrom Collection Management to Content Management in Art Documentation
\nDu\u0161an Barok, Amsterdam<\/p>\n
\nMapping authorship and ownership of information in contemporary art conservation research: an interdisciplinary perspective
\nZo\u00eb Miller, London<\/p>\n
\nDiscussion<\/p>\n
\nTribute to Heinz Alth\u00f6fer, a Pioneer of the Theory of Contemporary Art Conservation (1925-2018)
\nCarlota Santab\u00e1rbara Morera, Zaragoza<\/p>\n
\nClosing remarks<\/p>\n
\nAula TH Cologne, TH K\u00f6ln, Ubierring 48, 50678 K\u00f6ln
\nHow to get there<\/a><\/p>\n
\nReservations free of charge (limited number of tickets on a first come, first served basis)
\nPlease register online<\/a> or at nacca@f02.th-koeln.de before 15 June 2018.
\nDue to the tremendous interest in the symposium we changed the location. We are open for registration again. We welcome you all to proceed with your registration.<\/i> (Note added 17 May 2018)<\/p>\n
\nThe conference is supported by the Innovative Training Network \u2018New Approaches in the Conservation of Contemporary Art\u2019 (NACCA), which receives funding from the European Union\u2019s Horizon 2020 research and innovation programme under the Marie Sk\u0142odowska-Curie grant agreement no. 642892.
\nPlanning Committee: Gunnar Heydenreich, Diana Blumenroth, Marta G. Celma
\nhttps:\/\/nacca.eu\/<\/a><\/p>\n
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